Shamanism and the Ancient Mind: A Cognitive Approach to Archaeology

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Rowman Altamira, 2002 - Social Science - 195 pages
Pearson brings a cogent, well-argued case for the understanding of much prehistoric art as shamanistic practice. Using the theoretical premises of cognitive archaeology and a careful examination of rock art worldwide, Pearson is able to dismiss other theories of why ancient peoples produced art_totemism, art-for-art's sake, structuralism, hunting magic. Then examining both ethnographic and neuropsychological evidence, he makes a strong case for the use of shamanistic ritual and hallucinogenic substances as the genesis of much prehistoric art. Bolstered with examples from contemporary cultures and archaeological sites around the world, Pearson's thesis should be of interest not only to archaeologists, but art historians, psychologists, cultural anthropologist, and the general public.
 

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Contents

Archaeologys Final Frontier
1
Antecedents to Cognitive Archaeology
7
The Roots of Cognitive Archaeology
19
The Tools of Cognitive Archaeology
29
The Evolution of Rock Art Research
41
Rock Art Research in the Americas
53
Shamanism
65
Using the Tools of Cognitive Archaeology
77
The Nonarchaeological Case for Shamanism
95
The Archaeological Evidence for Shamanism
113
Approaching the Final Frontier
145
Bibliography
169
Index
189
About the Author
Copyright

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About the author (2002)

James L. Pearson has a Ph.D. in archaeology from University of California, Santa Barbara. He became an archaeologist after a long career as a business executive and is now working toward bringing archaeology to the general public.

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