Shostakovich Symphonies and Concertos: An Owner's Manual(Unlocking the Masters). The fall of the Soviet empire has not diminished the popularity of Dmitri Shostakovich's great symphonies and concertos one bit, despite the fact that most literature on him neglects any substantive discussion of the music itself in favor of biographical speculation on the relationship between the composer and the political climate of the day. This is the first book to provide a detailed, descriptive analysis of the 21 symphonies and concertos, work by work, explaining not just why they are significant documents of their time and place, but why they are great music in general. This offers readers an understanding of why Shostakovich's music enjoys the enduring support of performers and listeners alike, and how it fits into the great tradition of Western classical music generally. |
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Contents
The Shostakovich Question | 3 |
Listening to Shostakovich | 17 |
Symphony No 5 1937 | 21 |
EarlyPeriod Works | 35 |
Symphony No 1 192425 | 37 |
Symphony No 2 To October 1927 | 45 |
Symphony No 3 The First of May 1929 | 49 |
Piano Concerto No 1 1933 | 53 |
LatePeriod Works | 135 |
Symphony No 11 The Year 1905 1957 | 137 |
Piano Concerto No 2 1957 | 147 |
Cello Concerto No 1 1959 | 151 |
Symphony No 12 The Year 1917 1961 | 157 |
Symphony No 13 Babi Yar 1962 | 167 |
Cello Concerto No 2 1966 | 181 |
Violin Concerto No 2 1967 | 189 |
MiddlePeriod Works | 59 |
Symphony No 4 193536 | 61 |
Symphony No 6 1939 | 73 |
Symphony No 7 Leningrad 1941 | 81 |
Symphony No 8 1943 | 95 |
Symphony No 9 1945 | 107 |
Violin Concerto No 1 194748 revised 1955 | 113 |
Symphony No 10 1953 | 123 |
Symphony No 14 1969 | 193 |
Symphony No 15 1971 | 201 |
Postlude | 209 |
Chronology of Works | 213 |
Summary of Individual Movement Forms | 219 |
221 | |
CD Track Listing | |
Common terms and phrases
accompaniment actual Allegro appears bass drum bassoons become begins brass celesta Cello Concerto cellos and basses chorale chords clarinet climax close coda comes composer Concerto consists continues crash cymbals dark described development section Eighth elements emotional entire episode expressive fact Fifth figure film score finale flute followed formal Fourth gives harp hear horn idea important initial introduces it's later leads Listen major means melody minutes motive motto moving muted notes oboes once opening orchestra particular passage percussion phrases piano piccolo piece pizzicato played present Quartet recapitulation remains repeated returns rhythm rising Russian scherzo second movement second subject shape short Shostakovich similar simple slow snare drum soft solo soloist sonata song soprano sound strings Symphony symphony's tam-tam tempo theme timpani tion trombones trumpets tuba tune turn variation violins waltz woodwinds writing xylophone