Silence and Listening as Rhetorical Arts
Cheryl Glenn, Krista Ratcliffe
SIU Press, Jan 5, 2011 - Language Arts & Disciplines - 324 pages
In Silence and Listening as Rhetorical Arts, editors Cheryl Glenn and Krista Ratcliffe bring together seventeen essays by new and established scholars that demonstrate the value and importance of silence and listening to the study and practice of rhetoric. Building on the editors’ groundbreaking research, which respects the power of the spoken word while challenging the marginalized status of silence and listening, this volume makes a strong case for placing these overlooked concepts, and their intersections, at the forefront of rhetorical arts within rhetoric and composition studies.
Divided into three parts—History, Theory and Criticism, and Praxes—this book reimagines traditional histories and theories of rhetoric and incorporates contemporary interests, such as race, gender, and cross-cultural concerns, into scholarly conversations about rhetorical history, theory, criticism, and praxes. For the editors and the other contributors to this volume, silence is not simply the absence of sound and listening is not a passive act. When used strategically and with purpose—together and separately—silence and listening are powerful rhetorical devices integral to effective communication. The essays cover a wide range of subjects, including women rhetors from ancient Greece and medieval and Renaissance Europe; African philosophy and African American rhetoric; contemporary antiwar protests in the United States; activist conflict resolution in Israel and Palestine; and feminist and second-language pedagogies.
Taken together, the essays in this volume advance the argument that silence and listening are as important to rhetoric and composition studies as the more traditionally emphasized arts of reading, writing, and speaking and are particularly effective for theorizing, historicizing, analyzing, and teaching. An extremely valuable resource for instructors and students in rhetoric, composition, and communication studies, Silence and Listening as Rhetorical Arts will also have applications beyond academia, helping individuals, cultural groups, and nations more productively discern and implement appropriate actions when all parties agree to engage in rhetorical situations that include not only respectful speaking, reading, and writing but also productive silence and rhetorical listening.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Theory and Criticism
Other editions - View all
acts African American African philosophy Agamben Anzaldúa apartheid argues Aspasia body Carbondale Catherine Catherine of Siena chapter Cheryl Cheryl Glenn Christine Christine’s classroom comics journalism commission’s communication Compassionate Listening composition context critical critique cultural Delsartists Denmark Vesey Dialogue discourse engage English example experience feminism feminist film gender gesture Glenn God’s Goražde Hamerling’s hear Hountondji human identifications interview Jacqueline Jones knowledge Lacan language listening across difference literacy logos Lydia means narrative narrator one’s oral history Oruka pedagogy perceptive listening performative silence political position practices Print Purloined Letter purposeful silence question Ratcliffe Ratcliffe’s reflect relationship response rhetorical agency rhetorical authority rhetorical listening rhetorical studies Sacco Safe Area Goražde sage philosophy scholars Silas silence and listening slave social South Southern Illinois speak speaker speech story strategies teaching texts theory thinking tion traditional truth understanding Unspoken Vesey’s victims voice Vološinov woman women Women in Black words writing York