Six Years: The Dematerialization of the Art Object from 1966 to 1972
In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents—including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists—a historical survey and essential reference book for the period.
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abstract Acconci aesthetic April Arnatt Art and Project Art International Art-Language Arte Povera Artforum artists Baldessari Barthelme Beuys Bochner Brouwn Burgy Carl Andre catalogue Claura color Conceptual art context cultural Daniel Buren Darboven December dematerialization documentation Douglas Huebler Excerpt exhibition exist experience February film frame Gilbert & George Gilbert and George Graham Haacke Halifax Hans Haacke Heizer idea interview Jan Dibbets January Joseph Kosuth June Kaltenbach Kawara kind language Lawrence Weiner left to lower left to upper Lippard March material Mel Bochner Morris Museum N. E. Thing Nauman November object October Oppenheim oral communication Organized painting Perreault photographs physical piece present Project Bulletin right to lower right to upper Robert Barry Ruscha Ryman sculpture September Serra Seth Siegelaub situation Smithson Sol LeWitt space statement Street Studio International tion Toroni Vancouver visual wall words York