Sobre la escritura: conversaciones en el taller literario

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Ediciones y Talleres de Escritura Creativa Fuentetaja, 2007 - Fiction - 159 pages
Este libro es fruto de los diálogos mantenidos por Jorge Luis Borges en diversos encuentros celebrados en los años 80 con los integrantes de los talleres literarios de narrativa y poesía que dirigía en Buenos Aires Félix della Paolera. Se trata de un documento excepcional de la capacidad improvisadora de Borges y de su incuestionable seducción en el trato personal. El poder de síntesis, las brillantes paradojas y la afilada ironía del gran escritor argentino acuden aquí con especial brillantez. En estas conversaciones, Borges da respuesta a los interrogantes que surgen en el camino de los escritores en ciernes. Por qué y cómo se escribe, de dónde surge la íntima necesidad de escribir, cómo elegir unas formas u otras, cómo rescatar la emoción sentida para plasmarla en el texto, en qué medida forman las lecturas y las afinidades electivas a un escritor, cuáles son las diferencias entre el ritmo poético y el de la prosa, cómo construir la verosimilitud de un relato... Ante estas preguntas, Borges aparece como un faro para los jóvenes autores, una brújula de la dedicación a la práctica literaria —la vocación, el papel del escritor, el de la crítica y el del mundo literario y la actitud frente a él— en manos de los que empiezan a tantear la forma silenciosa de la escritura.

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About the author (2007)

Born in Buenos Aires, Argentina, in 1899, Jorge Borges was educated by an English governess and later studied in Europe. He returned to Buenos Aires in 1921, where he helped to found several avant-garde literary periodicals. In 1955, after the fall of Juan Peron, whom he vigorously opposed, he was appointed director of the Argentine National Library. With Samuel Beckett he was awarded the $10,000 International Publishers Prize in 1961, which helped to establish him as one of the most prominent writers in the world. Borges regularly taught and lectured throughout the United States and Europe. His ideas have been a profound influence on writers throughout the Western world and on the most recent developments in literary and critical theory. A prolific writer of essays, short stories, and plays, Borges's concerns are perhaps clearest in his stories. He regarded people's endeavors to understand an incomprehensible world as fiction; hence, his fiction is metaphysical and based on what he called an esthetics of the intellect. Some critics have called him a mystic of the intellect. Dreamtigers (1960) is considered a masterpiece. A central image in Borges's work is the labyrinth, a mental and poetic construct, that he considered a universe in miniature, which human beings build and therefore believe they control but which nevertheless traps them. In spite of Borges's belief that people cannot understand the chaotic world, he continually attempted to do so in his writing. Much of his work deals with people's efforts to find the center of the labyrinth, symbolic of achieving understanding of their place in a mysterious universe. In such later works as The Gold of the Tigers, Borges wrote of his lifelong descent into blindness and how it affected his perceptions of the world and himself as a writer. Borges died in Geneva in 1986.

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