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Chapter One FORMS AND PROBLEMS or CULTURE INTEGRATION AND Marnons
Chapter Eleven Fwcruarrou or Inmrromn AND VISUAL Forms or Anem
ImALrsr1c AND Mncen Svsrxzus
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appear architecture artiﬁcial artists Ascetic Ideational baroque becomes Brahmanic Buddhism Byzantine art causal century B.C. chap Christian classical complex Confucianism cubistic culture mentality deﬁnite Deonna depicted diﬁerent diﬂerent dominant elements empirical Epicureanism existence extemal external ﬁeld ﬁfteenth century ﬁfth century ﬁgures ﬁnd ﬁrst ﬂuctuations functional Graeco-Roman Greek Hellenistic Hinduism human Ibid ideal Idealistic art Ideational mentality Ideational style Ideationalism ideoplastic illusionistic impressionism impressionistic individual inﬁnite inﬂuence Jainism linear literature logically integrated logico-meaningful major premises malerisch means medieval modiﬁcation nature Nirvana objects organs painting and sculpture paleolithic paysage Percentages period phenomena Phidias portraits purely qualitative quantitative reality recurrence religion religious rococo Roman scientiﬁc sculpture secular Sensate mentality sense sensual signiﬁcance similar social sociocultural spatial speciﬁc spiritual standpoint symbolic Taoism theories thirteenth century tion Total Numbers traits unity values various Visual art Visual style