Songs of Ecstasy: Tantric and Devotional Songs from Colonial Bengal
This book offers the first English translation of a body of highly esoteric, mystical poetry and songs associated with the Khartabhajas, a Bengali sect devoted to Tantrism. The period from the late 18th to the early 19th century, during which these lyrics were written, was an era of change, experimentation, and transition from the older medieval styles to the new literary forms of "modern" Bengal. The highly original songs presented here are an important part of this transitional period, reflecting the search for new literary forms and experimentation in new poetic styles.
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The Secret Mastery of Difference
The Spirituality of the Subaltern The Historical Context and Literary Significance of the Songs of Ecstasy
From the Songs of Ecstasy Select Translations from the Bh257ver G299ta
The Language of the Mint Manul257l Miśras Collection of Mint Sayings
Songs from the Secret Marketplace Other Kart257bhaj257 Songs from Various Sources
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abandon Advaita Aulcând Bazaar become Bengali language Bengali literature Bhāver Gita bliss body Brahmā Brokers brother Caitanya Cakravarti caste colonial Bengal Darśana Dāśarathi delight desire devotion Dharma disciple divine Dulalcáñd dwell engage in business esoteric essence eyes fair-skinned fruit Ghoshpara Gour Guru Haora Hari hear heart holy human imagery India Jewel Kālī Kartā Kartābhajã songs Krsna Lālan Lālsa‘ī says land language Look Lord lotus Lover Madman Maner Manusa marketplace meaning merchandise merchants metaphor Miśra Moon nectar never Nityananda ocean parakiyā Partha Chatterjee path play Poor Company Rādhā rasa Rasika religion religious remain Sahaja Sahajiyā Sāhebdhani Sampradāya Sanskrit Saši secret sect sexual ships social Songs of Ecstasy spiritual subaltern Subaltern Studies supreme Tantra Tantric Tantric sexual Tantrism tell there's things three worlds tradition translated true Truth University of Calcutta Urban Vaisnava wander wealth woman wondrous words worship