Sound effects: youth, leisure, and the politics of rock'n'roll
An academic study of the sociology of rock looks at the roots of the musical form, the social importance and power of rock as reflected in the music industry itself, and the relationship between rock music and its consumers
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
adolescents album American argument artists audience Beatles became black music bohemian boys Britain British capitalist clubs commercial commodity concern consumer consumption context country music creative critics deejays developed disco effect Elvis Elvis Presley emotional entertainment example experience expression fans fantasies girls groups hippie ideology independent involved jazz leisure listeners live London marriage mass culture mass media mass music means Melody Maker middle-class mods music business music papers music press obvious organization percent performers play pleasure political pop music popular music problem production profit promotion punk radio stations record companies record industry record producer record sales relationship rock music rock musicians rock V roll rock's Rolling Stone sell sense sexual singers social sociology sold songs sound studio style subcultural success symbols tastes Tin Pan Alley tion values words workers working-class writing York young youth culture