South Africa, Shakespeare, and Post-colonial Culture

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Edwin Mellen Press, 2005 - Literary Criticism - 301 pages
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This book works within the frameworks of post-colonial studies and cultural studies in order to theorise, and then to illustrate, the possibilities for cultural creation in the context of oppression. It re-works the concept of hybridity, and the philosophies of liberalism and humanism, in order to suggest that these important and much-contested terrains within critical theory have specific potential in a South African context. This book applies these theoretical points to a specific trajectory of writing in English in the region, which it finds embodied in the writing of Solomon Plaatje, Peter Abrahams, Es'kia Mphahlele, Bloke Modisane, and Can Themba. By seeking to unlock the complex and sometimes contradictory ways in which Shakespeare is useful to these writers, the book addresses the traditional imbalance of knowledges in Shakespeare Studies by conceptualizing the presence of Shakespeare in these texts as indicative of an act of cultural appropriation and political resistance. Ultimately, the book makes a contribution to post-colonial and cultural studies' engagements with how culture works, how resistance is inscribed, and what role theory can play in the neo-colonial world.

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Contents

Towards PostColonial Culture
5
Shakespeare and the Essentially Human
49
South African Shakespeare Tracing
99
Copyright

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About the author (2005)

Natasha Distiller was associate professor of English and chief research officer at the Institute for the Humanities in Africa (HUMA) at the University of Cape Town.

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