SpecLab: Digital Aesthetics and Projects in Speculative Computing

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University of Chicago Press, Aug 1, 2009 - Science - 262 pages
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Nearly a decade ago, Johanna Drucker cofounded the University of Virginia’s SpecLab, a digital humanities laboratory dedicated to risky projects with serious aims. In SpecLab she explores the implications of these radical efforts to use critical practices and aesthetic principles against the authority of technology based on analytic models of knowledge.

            Inspired by the imaginative frontiers of graphic arts and experimental literature and the technical possibilities of computation and information management, the projects Drucker engages range from Subjective Meteorology to Artists’ Books Online to the as yet unrealized ’Patacritical Demon, an interactive tool for exposing the structures that underlie our interpretations of text. Illuminating the kind of future such experiments could enable, SpecLab functions as more than a set of case studies at the intersection of computers and humanistic inquiry. It also exemplifies Drucker’s contention that humanists must play a role in designing models of knowledge for the digital age—models that will determine how our culture will function in years to come.

 

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Excellent book. Highly recommended for all in the digital humanities, understood as the humanities in and for a digital age.

Contents

2 0 PROJECTS AT SPECLAB
31
3 0 FROM AESTHETICS TO AESTHESIS
127
40 LESSONS OF SPECLAB
197
Notes
208

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About the author (2009)

Johanna Drucker is the Martin and Bernard Breslauer Professor in the Graduate School of Education and Information Studies at the University of California, Los Angeles. She is the author of several books, including Sweet Dreams: Contemporary Art and Complicity, also published by the University of Chicago Press.

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