Spectacular suffering: theatre, fascism, and the Holocaust

Front Cover
INDIANA University Press, 1999 - History - 159 pages
0 Reviews

"This is the first extended study I know of what the author calls a "Holocaust performative,"....[The author] asks what a "holocaust performative" might look like and how such a study might illuminate "events of this particular genocide that are unrepresentable and outside the parameters of representation itself"....[Patraka] contributes an important and possibly contentious dimension to Holocaust studies." —James Young


"Theater, always a medium of fragile bodies and intractable ideologies, meets its biggest challenge in the Holocaust. How represent the unrepresentable? Vivian Patraka brings postmodern paradoxes into the heart of Holocaust meanings. A superb critic of drama, Patraka analyzes a wide range of recent plays, helping us to decode fascism's insidious mutations even in the most earnest theatrical exposes. Richly researched, feelingly written Spectacular Suffering: Theatre, Fascism, and the Holocaust brings performance theory, feminism, history, and Jewish cultural studies into unique dialogue. There is material here to fill several course syllabi. A wonderful and important book."—Elin Diamond, Rutgers University


Spectacular Suffering: Theatre, Fascism and the Holocaust considers how we remember historical instances of suffering and atrocity, framing its central questions to reflect larger cultural shifts in how we position ourselves in relation to history, performance, and memory.

From inside the book

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Introduction
1
Shattered Cartographies
15
Reproduction Appropriation and Binary Machinery
35
Copyright

6 other sections not shown

Other editions - View all

Common terms and phrases

References to this book

All Book Search results »

About the author (1999)

Vivian M. Patraka is Professor of English and Theatre and Director of the Institute for the Study of Culture and Society at Bowling Green State University. She has written numerous essays about Holocaust theatre, performance, and museums.

Bibliographic information