Staging Nationalism: Essays on Theatre and National Identity
McFarland & Company, 2005 - Performing Arts - 235 pages
When a nation wants to reconnect with a sense of national identity, its cultural celebrations, including its theatre, are often tinged with nostalgia for a cultural high point in its history. Leaders often try to create a "neo-classical" cultural identity. Artificially returning to an imagined pinnacle, however, can fail to take into account new aspects of national identity, such as the infusion of other cultures and languages. This collection of essays discusses the relationship between political power and the construction or subversion of cultural identity. The collection takes a wide historical perspective from distinct periods and cultures from all over the world. A few of the topics examined include how theatre in 18th century Poland tried to reconstitute the identity of an imagined classical heritage clung to by Polish nobles; how festival practices during the French Revolution tried to give meaning to recent events and rein in anxiety about split loyalties; how Athenian prologues cemented early American culture; how romantic admiration of peasant culture spread from Germany throughout Europe; how Greek tragedy in postwar Japan reflects the conflict of Japan's imposed identity as a Western-style democracy with its prewar identity as a samurai nation; and how Mexican archeological performance links the indigenous past with a post-revolutionary identity as a mixed race country.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Conflicting Cultural Imaginaries
Celebrating the Revolution While the King Is Still
9 other sections not shown
actors aesthetic Algeria American Theatre ancient archeological argues artists atre audience avant-garde avant-gardists Aztec Bastille became Cacaxtla Cacaxtla-Xochitecatl celebration characters citizens classical contemporary created critical cultural depicts discourse Domino drama eighteenth century fascism Festival of Federation Finnish French Futurist German global Greek Herder ideology indigenous Indonesia Irish Jakarta Japan Japanese avant-garde kabuki Kalevala kampung kampungan king KPSN Lepage's liberum veto ment Mexican Mexico military modern movement murals Murayama Murayama Tomoyoshi Naga narrative national identity National Theatre nationalist Niemcewicz nobility Olivier Olmeca-Xicalanca Omuka Ouamara past performance play Podkomorzy poetry Poland policies Polish political production proletarian prologues Quebec reform Rendra representation Revolution Robert Lepage role Salida Sanka Sarmatian Sarmatism Scarry Sejm shingeki social stage Starosta Suara Pembaruan Suharto symbols szlachta Taisho Teater Bengkel tenko theatrical tion Tlaxcala Tokyo torture traditional Trans Trilogie University Press Western Xochitecatl Yeats Yogyakarta York