Structure and Meaning in Tonal Music: Festschrift in Honor of Carl SchachterIntroduction -- Expression. The two curious moments in Chopin's E-flat major prelude / Charles Burkhart ; Circular motion in Chopin's late B-major nocturne (op. 62, no. 1) / William Rothstein ; Of species counterpoint, gondola songs, and sordid boons / Poundie Burstein -- Theory. The spirit and technique of Schenker pedagogy / David Gagné and Allen Cadwallader ; Prolongational and hierarchical structures in 18th-century theory / Joel Lester ; Thoughts on Schenker's treatment of diminution and repetition in part III of Free composition, and its implications for analysis / Wayne Petty ; Looking at the Urlinie / Hedi Siegel -- Style. Rhythmic displacement in the music of Bill Evans / Steven Larson ; Levels of voice leading in the music of Louis Couperin / Drora Pershing ; The analysis of east Asian music / David Loeb ; Baroque styles and the analysis of baroque music / Channan Willner -- Words and music. Schumann's Das ist ein Flöten und Geigen : conflicts between local and global perspectives / Lauri Suurpaa ; Reinterpreting the past : Brahms's link to Bach in the setting of Mit Fried und Freud ich fahr dahin, from the motet op. 74, no. 1 / Robert Cuckson ; Hinauf strebt's : song study with Carl Schachter / Timothy Jackson ; Intimate immensity in Schubert's The shepherd on the rock / Frank Samarotto -- Form. Tonal conflicts in Haydn's development sections : the role of C major in symphonies nos. 93 and 102 / Mark Anson-Cartwright ; Aspects of structure in Bach's F-minor fugue, WTC II / William Renwick ; The andante from Mozart's symphony no. 40, K. 5 |
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Contents
INTRODUCTION | 1 |
William Rothstein Circular Motion in Chopins Late Bmajor Nocturne | 19 |
Allen Cadwallader and David Gagné The Spirit and Technique of | 43 |
Joel Lester Prolongational and Hierarchical Structures in 18thCentury | 55 |
Wayne Petty Thoughts on Schenkers Treatment of Diminution and | 73 |
Hedi Siegel Looking at the Urlinie | 79 |
Steve Larson Rhythmic Displacement in the Music of Bill Evans | 103 |
Drora Pershing Levels of Voice Leading in the Music of Louis Couperin | 123 |
Channan Willner Baroque Styles and the Analysis of Baroque Music | 145 |
Conflicts | 173 |
Brahmss Link to Bach in the | 179 |
Song Study with Carl Schachter | 191 |
Frank Samarotto Intimate Immensity in Schuberts The Shepherd | 203 |
Mark AnsonCartwright Tonal Conflicts in Haydns Development | 227 |
TRIBUTES AND REFLECTIONS | 277 |
David Loeb The Analysis of East Asian Music | 133 |
Common terms and phrases
analysis appears approach arrival Bach Bach's basic bass beat beginning cadence Carl Carl Schachter Chopin chorale chord chromatic close composers composition continue contrast counterpoint course creates descent discussion dissonances dominant early edition especially essay Example expansion exposition expression fifth figure final follows four function half Hammer harmony idea important initial introduction later letter levels lower major means measures melody middle minor Mode motion motive movement moves neighbor notes occurs opening pace passage passing pattern performance phrase Piano piece playing present progression prolongation provides reading recapitulation repetition represents result rhythm rhythmic scale Schenker Schenkerian Schubert's sense setting shift shown shows Sonata song space structural style suggests tetrachord theme Theory third tonal tone tonic turn underlying University Press upper Urlinie voice voice leading writing York
Bibliographic information
| Title | Structure and Meaning in Tonal Music: Festschrift in Honor of Carl Schachter Harmonologia series |
| Authors | Carl Schachter, L. Poundie Burstein, David Gagné |
| Editors | L. Poundie Burstein, David Gagné |
| Publisher | Pendragon Press, 2006 |
| ISBN | 1576471128, 9781576471128 |
| Length | 290 pages |
| Export Citation | BiBTeX EndNote RefMan |