Structure and Meaning in Tonal Music: Festschrift in Honor of Carl SchachterIntroduction -- Expression. The two curious moments in Chopin's E-flat major prelude / Charles Burkhart ; Circular motion in Chopin's late B-major nocturne (op. 62, no. 1) / William Rothstein ; Of species counterpoint, gondola songs, and sordid boons / Poundie Burstein -- Theory. The spirit and technique of Schenker pedagogy / David Gagné and Allen Cadwallader ; Prolongational and hierarchical structures in 18th-century theory / Joel Lester ; Thoughts on Schenker's treatment of diminution and repetition in part III of Free composition, and its implications for analysis / Wayne Petty ; Looking at the Urlinie / Hedi Siegel -- Style. Rhythmic displacement in the music of Bill Evans / Steven Larson ; Levels of voice leading in the music of Louis Couperin / Drora Pershing ; The analysis of east Asian music / David Loeb ; Baroque styles and the analysis of baroque music / Channan Willner -- Words and music. Schumann's Das ist ein Flöten und Geigen : conflicts between local and global perspectives / Lauri Suurpaa ; Reinterpreting the past : Brahms's link to Bach in the setting of Mit Fried und Freud ich fahr dahin, from the motet op. 74, no. 1 / Robert Cuckson ; Hinauf strebt's : song study with Carl Schachter / Timothy Jackson ; Intimate immensity in Schubert's The shepherd on the rock / Frank Samarotto -- Form. Tonal conflicts in Haydn's development sections : the role of C major in symphonies nos. 93 and 102 / Mark Anson-Cartwright ; Aspects of structure in Bach's F-minor fugue, WTC II / William Renwick ; The andante from Mozart's symphony no. 40, K. 5 |
Contents
INTRODUCTION | 1 |
William Rothstein Circular Motion in Chopins Late Bmajor Nocturne | 19 |
THEORY | 39 |
Joel Lester Prolongational and Hierarchical Structures in 18thCentury | 55 |
Wayne Petty Thoughts on Schenkers Treatment of Diminution and | 73 |
Hedi Siegel Looking at the Urlinie | 79 |
FORM | 98 |
Steve Larson Rhythmic Displacement in the Music of Bill Evans | 103 |
David Loeb The Analysis of East Asian Music | 133 |
Channan Willner Baroque Styles and the Analysis of Baroque Music | 145 |
Conflicts | 173 |
Brahmss Link to Bach in the | 179 |
Song Study with Carl Schachter | 191 |
Frank Samarotto Intimate Immensity in Schuberts The Shepherd | 203 |
Mark AnsonCartwright Tonal Conflicts in Haydns Development | 227 |
TRIBUTES AND REFLECTIONS | 277 |
Common terms and phrases
Allemande appears arpeggiation Bach bar 9 Baroque basic pace bass beat of bar beginning Brahms Brahms's cadence cadential Cantata Carl Schachter Carl's Chambonničres Chopin chorale chord in bar chromatic composers Concerto contrapuntal D-minor dances descent dissonant dominant downbeat edition eighth notes essay Evans Evans's Example 1b Example 4a exposition F major fifth figure fugue function G minor graph harmony Heinrich Schenker hemiola J. S. Bach Louis Couperin measures melody middle section middle style middleground Mode motet motion motive movement octave passage passing tone phrase Piano piece pitch Plate playing polymeter progression prolongation recapitulation repetition rhythm ritornello Schenkerian analysis Schubert's shift shown in Example six-four chord Sonata song species counterpoint Subphrase suggests Symphony tetrachord texture thematic third thoroughbass three-key expositions tonal tonal structure tonic top voice triad triplets underlying University Press upper neighbor upper voice Urlinie Victor Hammer Vivaldi voice leading voice-leading York