Summer

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Collier Books, 1987 - Fiction - 202 pages
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One of Edith Wharton's personal favorites, Summer "breaks, or stretches, many conventions of romandc love stories and in the process creates a new picture of female sexuality" (Marilyn French, from the Introduction).

Like Wharton's more famous novel Ethan Frome, Summer is set in the Berkshires. But the chilly hills that set the background for Ethan's tentative, ill-fated romance have been replaced by a landscape bathed in sun -- and the figure at the center of Summer is a vibrant and passionate young woman, Charity Royall.

A New Englander of humble origins, Charity is swept into a torrid love affair with Lucien Harney, an artistically inclined young man from New York City. The conventions that rule society, however, are just as potent in Charity's world as in Ethan Frome's, and her dreams, like his, are inevitably thwarted.

In her refreshing Introduction, novelist Marilyn French delves into the themes of female sexuality and feminist sentiment present not only in this novel, but in Wharton's work as a whole. A bold, provocative work, Summer was an immediate sensation when it was first published in 1917, and stands as one of Wharton's greatest achievements.

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Summer

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Though Summer is not out of print, the September film release of Martin Scorsese's production of Wharton's The Age of Innocence is bound to have caused a renewed interest in all her books. Bantam's edition is the least expensive offering of this title currently on the market. Read full review

Contents

Section 1
3
Section 2
12
Section 3
23
Copyright

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About the author (1987)

Edith Wharton was a woman of extreme contrasts; brought up to be a leisured aristocrat, she was also dedicated to her career as a writer. She wrote novels of manners about the old New York society from which she came, but her attitude was consistently critical. Her irony and her satiric touches, as well as her insight into human character, continue to appeal to readers today. As a child, Wharton found refuge from the demands of her mother's social world in her father's library and in making up stories. Her marriage at age 23 to Edward ("Teddy") Wharton seemed to confirm her place in the conventional role of wealthy society woman, but she became increasingly dissatisfied with the "mundanities" of her marriage and turned to writing, which drew her into an intellectual community and strengthened her sense of self. After publishing two collections of short stories, The Greater Inclination (1899) and Crucial Instances (1901), she wrote her first novel, The Valley of Decision (1902), a long, historical romance set in eighteenth-century Italy. Her next work, the immensely popular The House of Mirth (1905), was a scathing criticism of her own "frivolous" New York society and its capacity to destroy her heroine, the beautiful Lily Bart. As Wharton became more established as a successful writer, Teddy's mental health declined and their marriage deteriorated. In 1907 she left America altogether and settled in Paris, where she wrote some of her most memorable stories of harsh New England rural life---Ethan Frome (1911) and Summer (1917)---as well as The Reef (1912), which is set in France. All describe characters forced to make moral choices in which the rights of individuals are pitted against their responsibilities to others. She also completed her most biting satire, The Custom of the Country (1913), the story of Undine Spragg's climb, marriage by marriage, from a midwestern town to New York to a French chateau. During World War I, Wharton dedicated herself to the war effort and was honored by the French government for her work with Belgian refugees. After the war, the world Wharton had known was gone. Even her Pulitzer Prize-winning novel, The Age of Innocence (1920), a story set in old New York, could not recapture the former time. Although the new age welcomed her---Wharton was both a critical and popular success, honored by Yale University and elected to The National Institute of Arts and Letters---her later novels show her struggling to come to terms with a new era. In The Writing of Fiction (1925), Wharton acknowledged her debt to her friend Henry James, whose writings share with hers the descriptions of fine distinctions within a social class and the individual's burdens of making proper moral decisions. R.W.B. Lewis's biography of Wharton, published in 1975, along with a wealth of new biographical material, inspired an extensive reevaluation of Wharton. Feminist readings and reactions to them have focused renewed attention on her as a woman and as an artist. Although many of her books have recently been reprinted, there is still no complete collected edition of her work.

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