Taken by Surprise: A Dance Improvisation Reader

Front Cover
Ann Cooper Albright, David Gere
Wesleyan University Press, Oct 24, 2003 - Performing Arts - 279 pages

First comprehensive overview of improvisation in dance.

This collection of classic and new writings on dance improvisation brings together 21 essays by prominent dancers, scholars and historians. Until now, discussion of improvisation in dance has focused mainly on the postmodern form known as contact improv. Taken by Surprise reflects the development of improvisation as a compositional and performance mode in a wide variety of dance contexts, including dance traditions from around the globe, such as Yoruban masked dance, Indian Bharatanatyam and flamenco.

The book also includes a thoughtful look at computer-aided choreography, a discussion of recent innovations in tap dancing and a section on improvisation in everyday life. Combining primary sources with critical analysis, Taken by Surprise will serve as an indispensible companion to studio work in improvisation, and a much-needed supplement to twentieth century dance histories.

CONTRIBUTORS: Ann Cooper Albright, Sally Banes, Bruce Curtis, Kent Despain, Margaret Thompson Drewal, Simone Forti, Susan Leigh Foster, David Gere, Raymond W. Gibbs, JR, Michelle Heffner Hayes, Carmela Hermann, Constance Valis Hill, Rachel Kaplan, Maura Keefe, Victoria Marks, Avanthi Meduri, Steve Paxton, Janice Ross, Karen Schaffman, Nancy Stark Smith, Ellen Webb, Ruth Zaporah.

 

Contents

I
xiii
II
3
III
13
V
21
VI
27
VIII
41
X
53
XI
65
XX
153
XXII
175
XXIV
185
XXV
197
XXVI
205
XXVII
215
XXVIII
229
XXIX
239

XII
77
XIII
89
XV
105
XVI
119
XVIII
135
XIX
141
XXXI
245
XXXII
255
XXXIII
257
XXXV
267
XXXVI
273
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About the author (2003)

ANN COOPER ALBRIGHT teaches at Oberlin College. She is the author of Traces of Light (2007) and Choreographing Difference (1997), and is the chair of the editorial board of the Society of Dance History Scholars. DAVID GERE is Assistant Professor at University of California at Los Angeles's Department of World Arts and Cultures and co-editor of Looking Out: Perspectives on Dance and Criticism in a Multicultural World (1995).

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