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Art and Patronage
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abstract art actual admired aesthetic amateur animals appear appreciated approach artist basis beauty become Bruegel Byzantine art Byzantine world Cezanne character Church classical colour composition concerned Constable critics decoration delight depicted early eighteenth century emotion enquiry essentially example executed expression fact faith fifteenth century figures Giotto Gothic Greece ideas important Impressionists individual interest Italian Italy landscape less London looking at pictures mannerists Mesopotamia Michelangelo mosaics names naturalistic nature Neolithic nineteenth century once outlook outstanding Ozny painters Palaeolithic particular patronage patrons pattern perhaps period Peter Bruegel phase Pissarro Plate Pontoise Pope Innocent X popular portraits Pre-Raphaelite primarily probably produced purely Raphael reasons recent religious Renaissance representation Romanesque Romanesque sculpture Rome Royal Academy Rubens scene schools sculpture serve Sistine Sistine ceiling sitter sometimes spectator story style stylized subject matter Susa taste tended themes things Titian true wall paintings