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CHAP PAQB I THE REASON FOR SCULPTURE I
H WHY WE SHOULD STUDY SCULPTURE
IK THE SCULPTORS ART AND CRAFT
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abstract aesthetic Albert Museum ancient ancient Greece animal appreciate architecture artist Aztec Baroque Baroque sculpture beauty Benin Benvenuto Benvenuto Cellini Britain British Museum bronze carving Cathedral century a.d. character Christian church Church Monuments classical craft craftsman Cubist drapery early effect Egypt Egyptian sculpture Eric Gill example expression famous feeling Frank Dobson give goldsmith Gothic sculpture grandeur Greece Greek sculpture head Hellenistic Henry Moore human figure ideal ideas interest Italian John Skeaping London look Lynn Chadwick marble mask masterpieces material Mediaeval Sculpture metal Mexican Michelangelo Middle Ages modelling modern sculptor monumental movement nature nineteenth century painter Parthenon period Plate portrait portraiture primitive produced qualities realism Reg Butler relief remarkable Renaissance represented Rodin Roman Romanesque Rome School sculp sculpture and painting SCULPTURE OF TODAY shape simplicity space spirit statue statuette stone style surface symbolize Tate Gallery temple tion tomb ture Westminster Abbey WILLIAM GAUNT