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Some Notes Towards the ReDefinition
the Boundary ll
Play and Postmodernism
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aesthetic Ambrose Ambrose's American fiction Araby argues Arnie twins attempt Barthelme Blackberry Winter Bossa Nova Brooks and Warren calls cetera character coherence contemporary artist contemporary fiction critical cultural Digression discussions dominant Donald Barthelme double generic structure epiphany example experience fiction writers Flannery O'Connor frame Funhouse genre Gerald Graff Gilman's Graff Hassan hence idea Ihab Ihab Hassan imagination John Barth Joyce Joyce's kind Klinkowitz Kostelanetz language of doubling literature of self-parody logic Lost means metafiction mimetic mode modernism and postmodernism modernist short story narrative narrator nature nineteenth-century short story nonetheless novel paradox perhaps phrase playful plot postmodern fiction postmodern literature postmodernist fiction postmodernist short story pre-modernist reader realism reflects relationship Richard Poirier Robert Coover Ronald Sukenick Saul Bellow seems sense sensibility of play sensibility of struggle short fiction short-story writers Stevick suggests Sukenick thing Thomas Pynchon tion tive tradition transformation Turpin unity words