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The Renaissance and Mannerism
Baroque and Rococo
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achieved aisles altar apse arcades arches architects architecture architrave axis baldachin Baroque barrel vault base basilica become building Byzantine church capital cathedral cella Central Court centre century chapels character choir classical classical orders clerestory climax colonnades colour continuous contrast Corinthian cornice create decoration delight diagonal dome Doric effect Egyptian elements entablature entrance example exterior facade figure four frescoes frieze galleries Gothic Greek Hagia Sophia Hellenistic High Renaissance horizontal interior Ionic Ionic order Islamic Islamic architecture iwan Knossos light linear lines longitudinal means Minoan mosaics mosque mouldings movement nave opisthodomos ornament palaces path pattern pediment piers pilasters planes porch principle of composition proportions pyramid rectangular rhythm ribs Rococo Roman Romanesque Rome roof round sanctuary sculpture shaft shape side space spatial square stoa stone structure supporting surface symmetry temple tion Tiryns transepts triglyphs unified unity upwards vault vertical visitor visual volume whole