Terrorism and Temporality in the Works of Thomas Pynchon and Don DeLilloTerrorism and Temporality in the Works of Thomas Pynchon and Don DeLillo starts from a simple premise: that the events of the 11th of September 2001 must have had a major effect on two New York residents, and two of the seminal authors of American letters, Pynchon and DeLillo. By examining implicit and explicit allusion to these events in their work, it becomes apparent that both consider 9/11 a crucial event, and that it has profoundly impacted their work. From this important point, the volume focuses on the major change identifiable in both authors' work; a change in the perception, and conception, of time. This is not, however, a simple change after 2001. It allows, at the same time, a re-examination of both authors work, and the acknowledgment of time as a crucial concept to both authors throughout their careers. Engaging with several theories of time, and their reiteration and examination in both authors' work, this volume contributes both to the understanding of literary time, and to the work of Pynchon and DeLillo. |
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Contents
Introduction | 1 |
Prefigurations of Terrorist Time | 11 |
2 The Futurity of September 10 | 37 |
3 Becketts Proust and Falling Man | 55 |
The Limits of Temporality in Point Omega | 85 |
Precursors to Pynchons Reconsideration of Temporality in Gravitys Rainbow | 95 |
6 The Duration of Thomas Pynchons Hell | 105 |
7 Pynchons Futurist Manifesto | 143 |
8 Inherent Vice and the Chronotope | 163 |
Conclusion | 177 |
179 | |
187 | |
Other editions - View all
Terrorism and Temporality in the Works of Thomas Pynchon and Don DeLillo James Gourley Limited preview - 2013 |
Terrorism and Temporality in the Works of Thomas Pynchon and Don DeLillo James Gourley Limited preview - 2013 |
Terrorism and Temporality in the Works of Thomas Pynchon and Don DeLillo James Gourley No preview available - 2013 |
Common terms and phrases
24 Hour Psycho analysis argues ARPAnet artistic Beckett Bergson Bill Bill’s bilocation Brita chapter character chronotopic Chums concept confirms Cosmopolis counter-worlds crucial Dante’s define DeLillo Archives DeLillo writes Despite Don DeLillo effect Eliot Weinberger emerging emphasizes eternal return exists experience figure film final finally find first focus focused future Futurist Gravity’s Rainbow Gray’s habit Harry Ransom Research hell Henri Bergson Hysteron Proteron Ibid identifies infernal infinite influence Inherent Vice involuntary memory Keith Lianne Lianne’s light cone manifestation Mao II mathematical motif movement narrative narrator Packer past Paul Virilio Point Omega poker possibility present prochronistic Proust Pynchon writes Ransom Research Center reader reference reflects Rideout rocket Rumsey Samuel Beckett September 11 attacks simultaneously Slothrop space spatial specifically Sportello spycam Steiner Tancredi technological temporal disjunction terrorism terrorist Texas at Austin Thomas Pynchon throughout the novel understanding University of Texas Venice Virilio York