The Abuse of Beauty: Aesthetics and the Concept of Art

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Open Court Publishing, 2003 - Art - 167 pages
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Danto simply and entertainingly traces the evolution of the concept of beauty over the past century and explores how it was removed from the definition of art. Beauty then came to be regarded as a serious aesthetic crime, whereas a hundred years ago it was almost unanimously considered the supreme purpose of art. Beauty is not, and should not be, the be-all and end-all of art, but it has an important place, and is not something to be avoided.
Danto draws eruditely upon the thoughts of artists and critics such as Rimbaud, Fry, Matisse, the Dadaists, Duchamp, and Greenberg, as well as on that of philosophers like Hume, Kant, and Hegel. Danto agrees with the dethroning of beauty as the essence of art, and maintains with telling examples that most art is not, in fact, beautiful. He argues, however, for the partial rehabilitation of beauty and the removal of any critical taboo against beauty. Beauty is one among the many modes throughwhich thoughts are presented to human sensibility in art: disgust, horror, sublimity, and sexuality being among other such modes.
 

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The abuse of beauty: aesthetics and the concept of art

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Traditional beauty in contemporary art is still regarded by some as unfashionable. Nation art critic Danto (philosophy, emeritus, Columbia Univ.), the author of more than 20 books, here argues that ... Read full review

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Contents

Beauty and the Philosophical Definition of Art
17
The Intractable AvantGarde
39
Beauty and Beautification
61
Internal and External Beauty
81
Beauty and Politics
103
Three Ways to Think about Art
125
Beauty and Sublimity
143
Index
161
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About the author (2003)

Arthur C. Danto is Johnsonian Professor of Philosophy Emeritus at Columbia University. He is the art critic for The Nation and author of more than 20 books.

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