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O P Govil Keatss Vision of Hyperion
Patterns of Love in Twelfth Night
An Approach to Shakespeares Henry V
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action Acts Aligarh Muslim University angels Apollo artist assay of reason attitude beauty Blake's Book of Enoch Cesario character communication Conrad consciousness contemporary context critical death Department of English Desdemona Donne Donne's dramatic dream earth edition Eliot's epic experience faith fiction Finnegans Wake Flaxman Ford gesture Giles heaven Helen Gardner Henry James human Hyperion Iago Iago's imagination John Flaxman Joseph Conrad judgment Keats Keats's language literary London lord mannerist meaning ment metaphoric Milton mind Miss La Trobe Moore moral myth mythic narrative nature novelists Oceanus offic'd Olivia Orsino Othello pageant passion play play's plot poem poet poetic poetry rational reader realistic novels reality references Richard Westall ritual role Roston scene Sebastian seems sense Shakespeare significance silence soul speech spirit stage story structure suggestion symbolic mode theme things tion tragedy Troilus and Cressida truth Viola Viola-Cesario Virginia Woolf vision Ward Watchers words