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Foreword to the Revised Edition
The New American Drama and
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accept achieve American drama American playwright Anna Christie artistic attitude audience Awake and Sing Barry Behrman Broadway characters comic concerned conspicuous contemporary critics dialogue discover discussion dramatists effect emotional Eugene O'Neill fact farce feel Hairy Ape hero heroine human Ibsen ideas Idiot's Delight imagination intellectual intention interest Kaufman Kelly kind Lawson least less literature lives manner Marxian Maxwell Anderson meaning melodrama ment merely method modern moral Mourning Becomes Electra novel O'Neill O'Neill's obviously Odets passions perhaps play playwright playwriting political popular Price Glory prob problem produced Provincetown pure radical realistic realize recent romantic S. N. Behrman satire scene seems sense sentimental Shaw significant situation social sort spectator spirit Square Players stage story Strange Interlude Streetcar Named Desire success suggests talent theater theatrical theme things tion tradition tragedy tragic virtues vulgarity wife writing written young