The Anaesthetics of Architecture

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MIT Press, 1999 - Architecture - 101 pages
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In this short, intentionally polemical book, Neil Leach draws on the ideas of philosophers and cultural theorists such as Walter Benjamin and Jean Baudrillard to develop a novel and highly incisive critique of the consequences of the growing preoccupation with images and image-making in contemporary architectural culture.The problem with this preoccupation, Leach argues, is that it can induce a sort of numbness, as the saturation of images floods the senses and obscures deeper concerns. This problem is particularly acute for a discipline such as architecture, which relies heavily on visual representation. As a result, architects can become anaesthetized from the social and political realities of everyday life. In the intoxicating world of the image, the aesthetics of architecture threaten to become the anaesthetics of architecture. In this culture of aesthetic consumption, this "culture of the cocktail," meaningful discourse gives way to strategies of seduction, and architectural design is reduced to the superficial play of empty, seductive forms.

 

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The anaesthetics of architecture

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More like expanded essays than exhaustive studies, these brief pieces are take radically different approaches to the perception and experience of buildings. Hildebrand (architecture/art history, Univ ... Read full review

Contents

THE ARCHITECT AS FASCIST
17
THE AESTHETICS OF INTOXICATION
33
THE ARCHITECTURE OF THE CATWALK
55
SEDUCTION THE LAST RESORT
71
Copyright

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References to this book

Integral Urbanism
Nan Ellin
Limited preview - 2006
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About the author (1999)

Neil Leach is an architect and theorist who has taught at a number of institutions worldwide, including the Architectural Association in London, the Dessau Institute Dessau, Germany, and Columbia University. He is the author, editor, or translator of more than a dozen books, including Rethinking Architecture, The Anaesthetics of Architecture (MIT Press, 1999), and Alberti's On the Art of Building in Ten Books (MIT Press 1991).

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