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THE POINT OF VIEW OF THE PUBLIC
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The Appeal of the Picture: An Examination of the Principles in Picture ...
Frederick Colin Tilney
No preview available - 2018
able actual allowed already appear artist aspect background beautiful become better blue called cause character charm claims classic colour comes composition course dark decorative detail direction drawing effect effort emotions equal evident example exists experience expression face fact feeling figures force further Gallery give greater ground hand human idea importance impression impressionism interest kind landscape less light lines look manner mass material matter means methods mind mood naturalistic nature never objects observation painters painting pass perhaps person photograph pictorial picture planes portrait position possible present principles realism reason reflected regard relation represented result romantic scale scene seems seen side simple spectator stand style suggestion supposed term things thought tints tion to-day tone trees true truth usually vision whilst