The Art of American Screen Acting, 1912-1960Some people claim that audiences go to the movies for the genre. Others say they go for the director. But most really go to see their favorite actors and actresses. This book explores the work of many of classic Hollywood's influential stars, such as James Cagney, Bette Davis, Cary Grant and Katharine Hepburn. These so-called "pre-Brando" entertainers, often dismissed as old fashioned, were part of an explosion of talent that ran from the late 1920s through the early 1950s. The author analyzes their compelling styles and their ability to capture audiences. |
Contents
1 | |
5 | |
Still Big | 21 |
Sweet Prince of Irony | 29 |
Naked on Her Goat | 35 |
Mademoiselle Hamlet | 46 |
Illusions | 58 |
The Hard Way | 76 |
Just a Butterfly | 144 |
Leaning and Birthing | 157 |
The King | 170 |
Still Waters | 176 |
The Stuff That Dreams Are Made Of | 184 |
Before and After | 192 |
Fallen Aristocrat | 199 |
Private Moments | 208 |
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acting actress audience Barbara Stanwyck Barrymore beautiful Bergman Bette Davis Bogart Brando Brooks’s called camera career Cary Grant character Clark Gable Clift close-up comedy comic Cukor dance Davis’s Dean Dean’s director emotion everything eyes face feel film Gable Garbo George Cukor girl Gish’s gives Griffith hair hard Hollywood Ingrid James Cagney Jane Joan Crawford John John Barrymore Katharine Hepburn kind kisses lady laugh Laughton Lillian Gish Lola looks Louise Brooks lover Lulu male Marlene Dietrich Mary Method actors Mitchum Mommie Dearest mother movie moving never Night Norma Norma Shearer Oscar performance played role romantic Rossellini says scene screen seems sexual sexy shot silent smile sometimes stage Stanley Stanwyck star staring Sternberg studio Swanson talk talkie tells theater There’s things told touching Tracy tries voice wanted Warner watch woman women