The Art of Character: Creating Memorable Characters for Fiction, Film, and TVFormer private investigator and New York Times notable author David Corbett offers a unique and indispensable toolkit for creating characters that come vividly to life on the page and linger in memory. Corbett provides an inventive, inspiring, and vastly entertaining blueprint to all the elements of characterization-from initial inspiration to realization-with special insights into the power of secrets and contradictions, the embodiment of roles, managing the "tyranny of motive," and mastering crucial techniques required for memorable dialogue and unforgettable scenes. This is a how-to guide for both aspiring and accomplished writers that renders all other books of its kind obsolete. |
What people are saying - Write a review
User Review - Flag as inappropriate
outstanding in every way
Contents
Chapter Four | |
Chapter | |
Chapter | |
Chapter Eight The Gravity ofthe | |
Chapter | |
Creating a Biography fromScenes Chapter Twelve | |
Chapter Thirteen | |
Fourteen The Characters Sociological Nature | |
Chapter Fifteen | |
Chapter Seventeen | |
Chapter Eighteen | |
Chapter Nineteen | |
Chapter Twenty | |
Chapter Twentyone | |
Other editions - View all
Common terms and phrases
action adaptations andthe Ann Patchett atthe audience behavior bythe chapter character’s Chinatown Christopher Vogler Citizen Vince compelling conflict contradiction creates David Corbett death desire dialog doesn’t dramatic effect embody emotional example Exercises explore father fear feel fiction film fromthe Gatsby goal guilt he’s hero identify imagination inhis inner insight inspired inthe intuitive isthe Joe Buck Lajos Egri lives main characters Michael Clayton Michael Corleone Midnight Cowboy moral mother narrator never notjust novel obsession ofcharacter ofthe one’s onthe opponent person physical point of view pointof pointofview character premise protagonist provides psychological question reader reflect revenant role romantic love scene screenwriter secondary characters secret sense serve sexual shame sociological nature someone specific story story’s tell thatthe thecharacter themore theother theprotagonist there’s thereader thestory things Thisis tobe tothe transformation unconscious understanding unique vulnerability wants what’s who’s witha withthe woman writer