The Art of Encaustic Painting: Contemporary Expression in the Ancient Medium of Pigmented WaxEncaustic is a waxed-based painting medium characterized by luminous color and a lush surface. It's an ancient art, dating as far back as Ancient Greece and the Roman Empire, and today is enjoying a revival. Here is the first comprehensive guide available on mastering this beautiful yet demanding medium. In The Art of Encaustic Painting, readers will learn surefire ways to achieve vibrant color and create surfaces that look as light as a wash or as densely textured as impasto. They will see how to produce effects from abstract to figurative to minimal. Finally, they will discover dozens of clear, step-by-step directions detailing how to use these various encaustic techniques in their own art. This remarkable reference also includes 200 attractive full-color photographs of the author's own work, as well as stunning examples by such premier encaustic artists as Jasper Johns, Arthur Dove, and Nancy Graves. |
What people are saying - Write a review
Reviews aren't verified, but Google checks for and removes fake content when it's identified
The art of encaustic painting: contemporary expression in the ancient medium of pigmented wax
User Review - Not Available - Book VerdictAccording to Roman historian Pliny the Elder, encaustic was used as early as the fifth and fourth centuries B.C.E. It is made by melting beeswax with a small amount of resin and then adding pigment ... Read full review
Other editions - View all
The Art of Encaustic Painting: Contemporary Expression in the Ancient Medium ... Joanne Mattera No preview available - 2001 |
The Art of Encaustic Painting: Contemporary Expression in the Ancient Medium ... Joanne Mattera No preview available - 2001 |
Common terms and phrases
acrylic amount apply artists become bees beeswax birch plywood BOTTOM braced brittle brushes canvas Center clean clear collage Collection color contain contemporary courtesy create damar edges effect elements encaustic painting extreme fire flat frame fuse Gallery gesso glue ground handle hard harden hazard heat inches incised installation iron Jasper Johns keep lauan layer light look Marks Mast materials McDowell means medium melting microcrystalline mixed mixed media Museum natural notes OPPOSITE options painter palette panel paraffin particles percent Photograph pigment plastic portraits powder prepare protect range refined remain remove resin result Safety Sara says scraping sculpture soft studio substrate suggests surface technique temper temperature texture thin translucent warm Winika wood wrap yellow York