The Art of the Print: Masterpieces, History, TechniquesExplores the development of the graphic arts from the earliest examples of true prints made in the Far East over a millennium ago to the latest experiments with new materials that have allowed the print to assume surprising three-dimensional forms. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Preface | 7 |
Antecedents of the Print | 15 |
Ancient Cultures | 23 |
Copyright | |
24 other sections not shown
Other editions - View all
Common terms and phrases
achieved acid added allowed American applied aquatint areas artist base became become beginning block Boston Brooklyn brush Center century clean coating color COLORPLATE complete copper Courtesy the artist crayon created D.C. Rosenwald Collection developed drawing early edition effect engraving etching experience final fine followed Gallery of Art glue graphic ground hand Illustration important impression intaglio interest Italy later light lines Lithograph master materials medium metal method mezzotint Museum of Art National Gallery original painting paper Paris perhaps Philadelphia Museum piece placed plate popular possible pressure printer printmaking produced proofs Public published pulled relief relief print removed result roller rubbing screen shapes sheet silkscreen soft solution sometimes stencil stone studied surface technique textures transfer turn University usually various washed Washington wood woodcut workshop York
Bibliographic information
| Title | The Art of the Print: Masterpieces, History, Techniques |
| Author | Fritz Eichenberg |
| Edition | illustrated |
| Publisher | H. N. Abrams, 1976 |
| Original from | the University of Michigan |
| Digitized | Dec 2, 2009 |
| ISBN | 081090103X, 9780810901032 |
| Length | 611 pages |
| Export Citation | BiBTeX EndNote RefMan |