The Beneventan Chant

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CUP Archive, Sep 29, 1989 - Music - 350 pages
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From the High Middle Ages the dominance of Gregorian chant has obscured the fact that musical practice in early medieval Europe was far richer than has hitherto been recognized. Despite its historical importance, the "Gregorian" is not the most consistent and probably not the oldest form of Christian chant. The recovery and study of regional musical dialects having a common ancestry in the Christian church and Western musical tradition are reshaping our view of the early history of Christian liturgical music. Thomas Kelly's major study of the Beneventan chant reinstates one of the oldest surviving bodies of Western music: the Latin church music of southern Italy as it existed before the spread of Gregorian chant. Dating from the seventh and eighth centuries it was largely forgotten after the Carolingian desire for political and liturgical uniformity imposed "Gregorian" chant throughout the realm. But a few later scribes, starting apparently in the tenth century, preserved a part of this regional heritage in writing. This book reassembles and describes the surviving repertory.
 

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Contents

Introduction i
6
The manuscript sources of Beneventan chant
41
The Beneventan liturgy
63
Beneventan musical style
96
Benevento and the music of other liturgies
161
The Beneventan repertory
250
Beneventan texts
259
Manuscript sources of Beneventan chant
298
20
322
Index of manuscripts
336
General index
347
Copyright

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Page 335 - C. VOGEL, Les échanges liturgiques entre Rome et les pays francs jusqu'à l'époque de Charlemagne in: Le chiese nei regni dell'Europa occidentale ei loro rapport!

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About the author (1989)

Thomas Forrest Kelly is professor of music at Harvard University. He studied musicology and chant on a Fulbright in France, and he has taught at Wellesley, Smith, Amherst, and Oberlin Colleges. His previous books include First Nights: Five Musical Premieres and First Nights at the Opera. He lives in Cambridge, Massachusetts.