The Brazilian Sound: Samba, Bossa Nova, and the Popular Music of Brazil

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Temple University Press, 1998 - Music - 248 pages
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At the second International Song Festival in 1967, Milton Nascimento had three songs accepted for competition. He had no intention of performing them--he hated the idea of intense competition. In fact, Nascimento might never have appeared at all if Eumir Deodato hadn't threatened not to write the arrangements for his songs if he didn't perform at least two of them. Nascimento went on to win the festival's best performer award, all three of his songs were included soon afterward on his first album, and the rest is history. This is only one anecdote from The Brazilian Sound, an encyclopedic survey of Brazilian popular music that ranges over samba, bossa nova, MPB, jazz and instrumental music and tropical rock, as well as the music of the Northeast. The authors have interviewed a wide variety of performers like Nascimento, Gilberto Gil, Carlinhos Brown, and Airto Moreira, U.S. fans, like Lyle Mays, George Duke, and Paul Winter, executive André Midani; and music historian Zuza Homem de Mello, just to name a few. First published in 1991, The Brazilian Sound received enthusiastic attention both in the United States and abroad. For this new edition, the authors have expanded their examination of the historical roots of Brazilian music, added new photographs, amplified their discussion of social issues like racism, updated the maps, and added a new final chapter highlighting the most recent trends in Brazilian music. The authors have expanded their coverage of the axé music movement and included profiles of significant emerging artists like Marisa Monte, Chico Cesar, and Daniela Mercury. Clearly written and lavishly illustrated with 167 photographs, The Brazilian Sound is packed with facts, explanations, and fascinating stories. For the Latin music aficionado or the novice who wants to learn more, the book also provides a glossary, a bibliography, and an extensive discography containing 1,000 entries. Author note: Chris McGowan was a contributing writer and columnist for Billboard from 1984 to 1996 and pioneered that publication's coverage of Brazilian and world music in the mid-1980s. He has written about the arts and other subjects for Musician, The Beat, the Hollywood Reporter, the Los Angeles Times, L. A Weekly, and the Los Angeles Reader. He is the author of Entertainment in the Cyber Zone: Exploring the Interactive Universe of Multimedia (1995) and was a contributor to The Encyclopedia of Latin American History and Culture (1996). Ricardo Pessanha has worked as a teacher, writer, editor, and management executive for CCAA, one of Brazil's leading institutes of English-language education. He has served as a consultant to foreign journalists and scholars on numerous cultural projects relating to Brazil. He has contributed articles about Brazilian music to The Beat and other publications.
 

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User Review  - batucata - LibraryThing

For anyone with an interest in Brazilian culture and/or music or who needs an immediate upgrade in their musical life, this book is an absolute must. It will introduce you to a host of some of the ... Read full review

The Brazilian sound: samba, bossa nova, and the popular music of Brazil

User Review  - Not Available - Book Verdict

Two new books on popular music present contrasting approaches to the diverse world of Hispanic music. Aparicio's (Spanish and American culture, Univ. of Michigan) work, aimed at an academic audience ... Read full review

Contents

Chapter Seven
3
Chapter One Brazilian Instrumental Music
159
Chapter Two Chapter Nine
185
Chapter Three Chapter
203
Chapter Five
221
Musical Treasures 103
237
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About the author (1998)

Chris McGowan is retired as the curator in the dinosaur department of Canada's Royal Ontario Museum in Toronto. An esteemed paleontologist and former professor of zoology at the University of Toronto, veteran of dinosaur digs around the world, and the author of several other books for young audiences, Chris lives in Toronto.

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