The Cine Goes to Town: French Cinema, 1896-1914, Updated and Expanded EditionRichard Abel's magisterial new book radically rewrites the history of French cinema between 1896 and 1914, particularly during the years when Pathé-Frères, the first major corporation in the new industry, led the world in film production and distribution. Based on extensive investigation of rare archival films and documents, and drawing on recent social and cultural histories of turn-of-the-century France and the United States, his book provides new insights into the earliest history of the cinema. Abel tells how early French film entertainment changed from a cinema of attractions to the narrative format that Hollywood would so successfully exploit. He describes the popular genres of the era—comic chases, trick films and féeries, historical and biblical stories, family melodramas and grand guignol tales, crime and detective films—and shows the shift from short subjects to feature-length films. Cinema venues evolved along with the films as live music, color effects, and other new exhibiting techniques and practices drew larger and larger audiences. Abel explores the ways these early films mapped significant differences in French social life, helping to produce thoroughly bourgeois citizens for Third Republic France. The Ciné Goes to Town recovers early French cinema's unique contribution to the development of the mass culture industry. As the one-hundredth anniversary of cinema approaches, this compelling demonstration of film's role in the formation of social and national identity will attract a wide audience of film scholars, social and cultural historians, and film enthusiasts. |
讀者評論 - 撰寫評論
我們找不到任何評論。
其他版本 - 查看全部
常見字詞
action alternation American appears attractions August background begins bourgeois called camera changes characters cinema close comes comic construction continued contrast couple course cut-in December decors directed drawing earlier early effect especially falls father February feet figure film film's final foreground frame France French Gaumont genre historical includes initial instance interior intertitles Italy January July June kind later least less letter look March Méliès melodramas meters mother move narrative November October once opening Paris Pathé PC Paris performance perhaps period play popular position production reel released representation returns scene seems September sequence serves shift shot shows single social space spectacle spectator stage story strategy studio success tableau takes titles trick turns United wife window woman women young