The Classical Priamel from Homer to Boethius |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
INTRODUCTION | 1 |
Amplification | 2 |
topía Dubitatio | 3 |
Praeteritio or Recusatio | 4 |
The Exordium | 5 |
Climax | 6 |
Catalogues | 7 |
Parallelism and Repetition | 8 |
Archilochus | 56 |
Tyrtaeus | 58 |
Xenophanes | 59 |
Sappho | 63 |
Solon | 64 |
Theognis | 67 |
Semonides and Mimnermus | 71 |
Critias | 72 |
The Simile | 9 |
dúvata | 10 |
The Gnome | 29 |
GREEK LITERATURE | 31 |
Homer | 32 |
Hesiod 3 The Homeric Hymns | 43 |
B Lyric Poets 1 Alcman | 54 |
Pindar | 86 |
Tragedy | 87 |
Hellenistic Poetry | 99 |
E Epigrams | 109 |
B Catullus | 115 |
E Neronian Poetry | 148 |
Common terms and phrases
achievement adversative Aeschylus amplification Apollo athletic become begins Bundy catalogue choice claims climactic climax comes comparison complete concludes considerable consists context contrast culminates discussed effect elaborate elements emphasize employs entire epigram especially examples expanded expression fact final foil force frequently function further give Greek hic et nunc Homer Horace human hymn important indicates interest Intro introduce Italy later Latin lead lines logical means nature occurs opening Ovid particular passage person Pindar poem poet poetry praise preference present prominent Propertius provides question quoque rejected relationship rhetorical Sappho sense similar singled song specific speech statement summary priamel superlative term theme things tion tradition variety various wealth δε εν και μεν ου ουδ τε