The Construction of Tragedy: HubrisThis book contains a true story of a woman who, from childhood, learned the value of money, hustled, and went into adulthood through an abundance of trials, tribulations, and even a tragedy to have money. Only to discover that the path she chose to get what she wanted was a path of destruction and trouble, with high stakes and everything to lose, including her life. An action-packed novel that is educational, provocative, and inspirational, offering knowledge to all its readers. |
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The Metaphysics of Tragic Construction | 1 |
The function of tragedy | 11 |
constructed tragedy | 23 |
Characterits ethical nature | 25 |
The consideration of the audience in determining the plays magnitude | 26 |
The function of language | 28 |
The aftermath of tragedy | 29 |
Antigone | 31 |
The cosmic imbalance caused by murder and its mortal | 63 |
The political structure of Denmark and the art | 71 |
King Lear | 79 |
The ethicality of Albanys contribution to the highest | 86 |
Political awareness in Albany and Cordelia Kent and | 93 |
The art of personal survival in postLear Britain Edgar | 102 |
Murder In The Cathedral | 109 |
The mystic circle The relationship of the priests | 116 |
which the play is prepared | 33 |
The state of affairs in the play | 34 |
The plot Its relationship to a universal truth The meaning of fidelity of correspondence through all dimensions from innerpersonal to cosmic | 35 |
The energy drive of honor due to the dead as motivated by Antigone in her heightened role as sibling | 37 |
The role of Teireslas seer and intermediary | 43 |
The energy drive of Creons bid for power | 45 |
The role of the chorus | 48 |
The average mortal | 49 |
The contemporary relevance of Antigone | 50 |
Hamlet | 55 |
The moment of choice for Thomas | 122 |
The energy drive of More How it is affected by human | 134 |
The role of the woman Her assigned importance | 140 |
The natural paradigm for classical tragedy | 147 |
The highest energy drive Economic growth and the will | 153 |
From Franz to Hitler and back Dictatorial prevailing | 162 |
The responsibility of the tragedian to portray tragic | 170 |
Structuring the prepared material Deciding upon | 178 |
The state of the art The importance of the study of | 184 |
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20th century able accepted action affairs affect affirmation Antigone appears approximation Aristotle assumptions attempt audience awareness becomes beginning character civilization classical Claudius code of conduct comes common concerning Condemned conduct construction contemporary Cordelia correspondence cosmic created Creon critical daughter dead death described determines deviation dimension dramatist England exists fact father follow forces Franz Gerlach give Gloucester going Goneril governance Greek Hamlet harmony Henry highest energy drive human imbalance INEVITABILITY Kent kill King Lear language Leni lives loss material mean mode mortal movement moves Murder nature occurs operation organic particular philosophy play plot Poetics political position possible potential prepared preservation prevailing primogeniture relationship relevance responsibility reveals role says scientific Seasons sense Shakespeare significant social spiritual strength structure takes thing Thomas tragedian tragedy tragic truth understanding unifier universe Werner whole