The Courtship of Miles Standish: And Other Poems

Henry Wadsworth Longfellow

Ticknor and Fields, 1859 - 215 страници

First American edition - first printing - published same year as the first London editon. Longfellow's "popularity throughout the U.S. and Europe was so great that, on the publication of The Courtship, more than 15,000 copies were sold during the first day in Boston and London... [Longfellow]... did much to popularize American folk themes abroad, where his work was immensely popular and widely translated" (Hart, page 444). Includes "Prometheus," " The Phantom Ship," "Haunted Houses," "My Lost Youth," and "The Jewish Cemetary at Newport." BAL 12122; Benét, pages 611-612; Hart, page 444.

Съдържание

• LOVE AND FRIENDSHIP: 8
• JOHN ALDEN: 22
• THE MARCH OF MILES STANDISH: 42
• THE SPINNINGWHEEL: 48
• BIRDS OF PASSAGE: 59
• THE PHANTOM SHIP: 66
• IN THE CHURCHYARD AT CAMBRIDGE: 73
• DAYLIGHT AND MOONLIGHT: 79
• THE JEWISH CEMETERY AT NEWPORT: 80
• VICTOR GALBRAITH: 87
• THE ROPEWALK: 93
• CATAWBA WINE: 100
• DAYBREAK: 110
• SANDALPHON: 116
• NOTES: 123

Информация за автора

During his lifetime, Longfellow enjoyed a popularity that few poets have ever known. This has made a purely literary assessment of his achievement difficult, since his verse has had an effect on so many levels of American culture and society. Certainly, some of his most popular poems are, when considered merely as artistic compositions, found wanting in serious ways: the confused imagery and sentimentality of "A Psalm of Life" (1839), the excessive didacticism of "Excelsior" (1841), the sentimentality of "The Village Blacksmith" (1839). Yet, when judged in terms of popular culture, these works are probably no worse and, in some respects, much better than their counterparts in our time. Longfellow was very successful in responding to the need felt by Americans of his time for a literature of their own, a retelling in verse of the stories and legends of these United States, especially New England. His three most popular narrative poems are thoroughly rooted in American soil. "Evangeline: A Tale of Acadie" (1847), an American idyll; "The Song of Hiawatha" (1855), the first genuinely native epic in American poetry; and "The Courtship of Miles Standish" (1858), a Puritan romance of Longfellow's own ancestors, John Alden and Priscilla Mullens. "Paul Revere's Ride," the best known of the "Tales of a Wayside Inn"(1863), is also intensely national. Then, there is a handful of intensely personal, melancholy poems that deal in very successful ways with those themes not commonly thought of as Longfellow's: sorrow, death, frustration, the pathetic drift of humanity's existence. Chief among these are "My Lost Youth" (1855), "Mezzo Cammin" (1842), "The Ropewalk" (1854), "The Jewish Cemetery at Newport" (1852), and, most remarkable in its artistic success, "The Cross of Snow," a heartfelt sonnet so personal in its expression of the poet's grief for his dead wife that it remained unpublished until after Longfellow's death. A professor of modern literature at Harvard College, Longfellow did much to educate the general reading public in the literatures of Europe by means of his many anthologies and translations, the most important of which was his masterful rendition in English of Dante's Divine Comedy (1865-67).

Библиография

• Заглавие: The Courtship of Miles Standish: And Other Poems; Том 39 от Standard American Authors
• Автор: Henry Wadsworth Longfellow
• Издател: Ticknor and Fields, 1859
• Оригиналът е от: Австрийска национална библиотека
• Цифровизирана на: 21 авг. 2018
• ISBN: 1404738363, 9781404738362
• Брой страници: 215 страници