The GrotesqueFirst published in 1972, this book provides a helpful overview of the grotesque and its use in a number of literary genres including novels, drama and poetry. After providing a historical summary of the term, the book discusses the various defining aspects of the grotesque and its relationship to other terms and modes of literature, such as satire, the comic and parody. The final chapter presents the functions and purpose of the grotesque in literature. This book will be a useful resource for those studying literary theory and literary works which include an element of the grotesque. |
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abnormal absurd aesthetic amusement artistic associated Beckett’s becomes bizarre caricature clash classical-minded Clayborough comedy comic element commedia dell’arte conflict confusion context delight described E. T. A. Hoffmann eccentric Edgar eerie effect emotional essentially exaggeration example experimental literature extreme factor fantastic feel figure Friedrich Friedrich Schlegel funny Goldberg Gregor’s grotesque art grotesque writer grotesquery hand Harmondsworth horrifying or disgusting horror or disgust human Humphry Clinker incompatibles irony John Barth joke Kafka Kayser kind King Lear laugh laughter Lear least literature ludicrous macabre man’s Matzerath McCann means mixture mode modern Modest Proposal monstrous nature née Sharpe nose notion one’s reaction paintings Panurge paradox parody Paroeus particularly passage Penguin perhaps Pipchin playful poem present psychological Rabelais radical reader relationship response ridiculous Robert Graves Sandman satiric point satirist scene Schlegel seen sense Stanley Steig’s strange Swift terrifying things Tin Drum Totlinda tragic uncanny unresolved Vitruvius Wilson Knight word grotesque