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foreword by Walter Gropius
part two organism
6 other sections not shown
19th century achieved aesthetic quality aestheticism architect architectural creation architectural order architectural space architectural taste basic beauty Buddhist ceiling century classes clay climate color common concept construction contemporary architecture contemporary building contrast creative cultural decorative dimensions distinct dwelling effect elements emotional environment essentially existence expression expressional exterior fabric fact factors floor foot measure function fusuma garden geo-relationship human individual influence intellectual interior space Japa Japan Japanese architecture Japanese garden Japanese house Japanese residence Japanese residential architecture kiwari kyo-ma Kyoto living man's manifested material meaning measure method modular module nature organism particular philosophy physical order picture recess Plates principles psychological relationship residential garden result role roof scale shaku simplicity sliding panels society spatial spiritual standard structure sukiya tatami tea cult tearoom technique texture tion tokonoma traditional translucent paper panels unique veranda wabi wall Western wood Zen Buddhism