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The Language of Drama and Theatre
The Language of ProseDrama
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accept achieved actor Albee American apparent Arnold Wesker Arthur Miller artist attempt attitude Auden audience believe Blanche Caesar and Cleopatra characteristic characters communication create critical dialect dialogue directions director dramatic language dramatist effect Eliot embodiment emotional English example experience expression extent fact Galsworthy give guage Heartbreak House imagination improvisation irony J. B. Priestley Jimmy John Osborne kind language of drama language of theatre less literary London look meaning Miller mummerset naturalistic nature never op.cit Osborne performed perhaps Peter Terson phrases Pinter play's playwright poem poet poetic drama poetry prose reader relationship repetition rhythm ritual scene seems sense Shakespeare Shaw Shelagh Delaney society sometimes speak speech stage stage-directions style Symons T.S. Eliot Tennessee Williams theatrical theme thing tion true truth twentieth century verbal vernacular verse Virginia Woolf visual W. H. Auden W.B. Yeats Wesker words writing Yeats Yeats's