The Monkey as Mirror: Symbolic Transformations in Japanese History and Ritual

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Princeton University Press, 1987 - Social Science - 269 pages

This tripartite study of the monkey metaphor, the monkey performance, and the 'special status' people traces changes in Japanese culture from the eighth century to the present. During early periods of Japanese history the monkey's nearness to the human-animal boundary made it a revered mediator or an animal deity closest to humans. Later it became a scapegoat mocked for its vain efforts to behave in a human fashion. Modern Japanese have begun to see a new meaning in the monkey--a clown who turns itself into an object of laughter while challenging the basic assumptions of Japanese culture and society.

 

Contents

Theoretical Setting
3
A Sketch
12
Limitations and Organization of the Book
17
The Monkey as Metaphor for the Japanese
20
The Monkey as a Metaphor for Humans
22
The Line Between Humans and Monkeys
32
The Monkey as an Anomalous Symbol and the Hierarchy of Meaning
34
MEANINGS THROUGH HISTORY
39
Dualistic Cosmology
130
Deities as Mirrors of Humans
133
Purity and Impurity in the Japanese Ethos
137
The Sacred the Secular and the Impure
140
Cosmological Principles and Classification of People
144
Mediators and Scapegoats as Reflexive Agents
149
Clowns as Reflexive Agents
151
Theoretical Considerations
154

The Monkey in Japanese Culture Historical Transformations of Its Meaning
41
The Monkey as Mediator in Early and Transitional Periods
42
A Summary
55
The Monkey as Scapegoat and Trickster in Later History
59
Contemporary Developments
72
The Special Status People in Japanese Society Historical Transformations of Their Meaning
75
Ancient Period 300 BCTwelfth Century
77
Medieval Period TwelfthSixteenth Century
81
Early Modern Period 16031868
93
Modern Period 1868Present
97
Summary and Interpretation
99
The Monkey Performance Historical Transformations of Its Meaning
101
Ancient and Medieval Periods 300 BCSixteenth Century
103
Early Modern Period 16031868
113
Modern Period 1868Present
118
Summary
126
The Monkey and the Special Status People in the Reflexive Structure of the Japanese
128
BASIC STRUCTURE PROCESSUALCONTEXTUAL STRUCTURE AND MULTIPLE STRUCTURES OF MEANING
161
The Monkey Performance of the Late Medieval Period
163
Monkey Performance as Stable Ritual
164
Monkey Performances as Street Entertainment
168
Framing of the Monkey Performance
179
The Monkey Performance in Contemporary Japan
183
Monkey as Clown
186
Discussion
204
FROM THE MEDIATING MONKEY TO THE REFLEXIVE MONKEY HISTORICAL TRANSFORMATIONS AND RITUAL STRUCTURE
207
Structures of Meaning in History Myth and Ritual
209
Structural Regularities in Transformation
217
Historical Regularities
221
History Myth and Ritual
235
Musings on the Reflexive Monkey
238
References
241
Index
261
Copyright

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About the author (1987)

Emiko Ohnuki-Tierney, a native of Japan, is Vilas Professor of Anthropology at the University of Wisconsin-Madison. Among her works are Illness and Healing among the Sakhalin Ainu: A Symbolic Interpretation and Illness and Culture in Contemporary Japan: An Anthropological View (both Cambridge).

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