The New American Cinema

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Duke University Press, 1998 - Performing Arts - 405 pages
This collection of essays provides the first comprehensive survey of Hollywood and independent films from the mid-sixties to the present. Deliberately eclectic and panoramic, The New American Cinema brings together thirteen leading film scholars who present a range of theoretical, critical, and historical perspectives on this rich and pivotal era in American cinema.
The essays are divided into three sections: "Movies and Money," "Cinema and Culture," and "Independents and Independence." The first section focuses on the economics of the industry and analyzes the connection between the film business and the finished product. Topics include a look at the economic conditions that made the seventies' auteur renaissance possible, the distribution of studio and independent films, and the recent spate of mergers and acquisitions that have come to characterize the new Hollywood. The second part of The New American Cinema deals with the political and cultural significance of war and Vietnam films (Platoon, Apocalypse Now, Born on the Fourth of July); "male rampage" films (Rambo, Lethal Weapon, Die Hard); women's psychothrillers (The Silence of the Lambs); special effects pictures (2001: A Space Odyssey, Star Wars); and historical re-presentations (Oliver Stone's JFK). The final section casts a keen eye on films produced and exhibited outside the commercial mainstream, examining the financial realities of "indie" films; the influence of independent filmmaker John Cassavetes on Coppola, Altman, and Scorsese; the stereotyping of African Americans in mainstream cinema; and the films of independent women filmmakers.
 

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Contents

Auteurs and the New Hollywood Timothy Corrigan
38
Majors Independents
64
Hollywood in the Corporate Era Jon Lewis
87
A Rose Is a Rose? Real Women and a Lost War Tania Modleski
125
Race Class and Gender in the Male Rampage
146
Female Investigation and Male Performativity in
187
Oliver Stones JFK
217
The End of Offscreen Space Scott Bukatman
248
Amateur Director Ivone Margulies
275
Hopes and Dreams Chuck Kleinhans
307
The Black Film Wave at Middle
328
The Ethnographic Impulse in the Films of Peggy
353
Selective Bibliography
379
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About the author (1998)

Jon Lewis is Professor of English at Oregon State University. He is the author of The Road to Romance and Ruin: Teen Films and Youth Culture and Whom God Wishes to Destroy: Francis Coppola and the New Hollywood, also published by Duke University Press.

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