The Perfect Medium: Photography and the Occult
Clément Chéroux, Maison européenne de la photographie (Paris, France), Metropolitan Museum of Art (New York, N.Y.), Pierre Apraxine, Andreas Fischer, Denis Canguilhem, Sophie Schmit
Yale University Press, 2005 - Photography - 288 pages
In the early days of photography, many believed and hoped that the camera would prove more efficient than the human eye in capturing the unseen. Spiritualists and animists of the nineteenth century seized on the new technology as a method of substantiating the existence of supernatural beings and happenings. This fascinating book assembles more than 250 photographic images from the Victorian era to the 1960s, each purporting to document an occult phenomenon: levitations, apparitions, transfigurations, ectoplasms, spectres, ghosts, and auras. Drawn from the archives of European and American occult societies and private and public collections, the photographs in many cases have never before been published.
The Perfect Medium studies these rare and remarkable photographs through cultural, historical, and artistic lenses. More than mere curiosities, the images on film are important records of the cultural forces and technical methods that brought about their production. They document in unexpected ways a period when developing photographic technology merged with a popular obsession with the occult to create a new genre of haunting experimental photographs.
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The perfect medium: photography and the occultUser Review - Not Available - Book Verdict
The emergence of spiritualism and the invention of photography coincided in the mid-19th century. By the 1860s, the camera was considered more "credible" than the human eye, making it the perfect tool ... Read full review
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