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acquaintance admirers ancient appears Ben Jonson Cæsar censure character collation comedy conjecture correct corrupted criticism death drama dramatick edition editor emendations English engraving errors favour genius gentleman give Hamlet hath honour ignorance imitation instance John Jonson judgment Julius Cæsar King Henry King Lear labour language late Latin learning letter lines Lond Love's Labour's Lost Lover's Melancholy Macbeth Malone meaning Merchant of Venice metre modern nature never notes obscure observed old copies opinion original passage perhaps pieces players plays poem poet poet's poetry Pope portrait preface present printed publick published quarto reader reason remarks Romeo and Juliet says scene second folio seems Shak Shakspeare Shakspeare's sometimes stage Steevens supposed syllables theatre Theobald thing thou thought tion Titus Andronicus tragedy translation Troilus and Cressida truth verse volume Winter's Tale words writer written
Seite 236 - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend.
Seite 62 - Shakespeare is, above all writers, at least above all modern writers, the poet of nature ; the poet that holds up to his readers a faithful mirror of manners and of life.
Seite 449 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was, indeed, honest, and of. an open and free nature, had an excellent fancy, brave notions, and gentle expressions ; wherein he flowed with that facility, that sometimes it was necessary he should be stopped : Snfflaminandus erat, as Augustus said of Haterius.
Seite 484 - WHAT needs my Shakespeare for his honoured bones, The labour of an age in piled stones, Or that his hallowed relics should be hid Under a star-ypointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name? Thou in our wonder and astonishment Hast built thyself a live-long monument. For whilst to th...
Seite xlvi - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Seite 459 - Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her.
Seite 473 - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame, While I confess thy writings to be such As neither man nor muse can praise too much.
Seite 64 - Shakespeare has no heroes; his scenes are occupied only by men who act and speak as the reader thinks that he should himself have spoken or acted on the same occasion: even where the agency is supernatural, the dialogue is level with life.