The Pleasures of Aesthetics: Philosophical Essays |
Contents
What Is Aesthetic Pleasure? | 3 |
Pleasure and the Value of Works of Art II | 11 |
PART TWO AESTHETICS OF MUSIC | 25 |
Musical Literacy | 27 |
Song and Music Drama | 42 |
Performative versus Critical Interpretation in Music | 60 |
Musical Expressiveness १० | 90 |
PART THREE ONTOLOGY AND DEFINITION OF | 127 |
PART FOUR INTERPRETING | 173 |
Intention and Interpretation in Literature | 175 |
Philosophy as an Art | 214 |
Messages in Art | 224 |
Work and Oeuvre | 242 |
PART FIVE UNDERSTANDING FICTION | 275 |
Horrible Fictions | 277 |
Making Believe | 287 |
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Common terms and phrases
activity actual aesthetic pleasure Aesthetics and Art Antony Hopkins appreciation appropriate Art Criticism art-making Arthur Danto artistic artwork audience Beethoven Carroll character composer conception construal construed Cornell University cultural Currie distinct earlier embodied essay example experience fictional fictional world genre given hear Henry Purcell historical horror horror fictions identified identity imagine individual intentionalism involved Journal of Aesthetics labeled later least listener literary make-believe Malcolm Budd Mimesis mode Monroe Beardsley movement musical expressiveness natural Noël Carroll notion novel object oeuvre ontology painting particular passage perceive performative interpretation performer's perhaps person piece of music plausibly play poem projected proposal question reason regard relation relevant representation representationally response Richard Wollheim seems sense simply sonata song sort sound specific Stephen Davies structure style suggest sui generis Symphony theory things tion tradition understanding utterance meaning verbal virtue vocal line Walton Wollheim work's