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able affectionate appears Bailey beautiful become begin believe Book brother Brown called coming continual copy dear delightful Dilke Fanny feel George getting give given Hampstead hand happy Haydon head hear heard heart hope human Hunt idea Imagination intend John Keats Keats's keep Lady lately leave letter lines live look Lord Houghton Lost mean mention miles mind Miss morning mountains nature never night once opening passage passed perhaps play pleasure poem poet poetry poor Postmark present reason received reference remember respect Reynolds seems seen Shakespeare side sister sonnet soon sort speak spirit sure talk tell thing thought town turn Volume walk week whole wish write written wrote yesterday
Page 23 - Anon, out of the earth a fabric huge Rose like an exhalation, with the sound Of dulcet symphonies and voices sweet, Built like a temple, where pilasters round Were set, and Doric pillars overlaid With golden architrave; nor did there want Cornice or frieze, with bossy sculptures graven : The roof was fretted gold.
Page 292 - All school-days' friendship, childhood innocence ? We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key ; As if our hands, our sides, voices, and minds, Had been incorporate.
Page 99 - I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason...
Page 28 - Urania, and fit audience find, though few. But drive far off the barbarous dissonance Of Bacchus and his revellers, the race Of that wild rout that tore the Thracian Bard In Rhodope, where woods and rocks had ears To rapture, till the savage clamour drowned Both harp and voice ; nor could the Muse defend Her son.
Page 233 - A poet is the most unpoetical of any thing in existence, because he has no Identity — he is continually in for and filling some other Body — The Sun, the Moon, the Sea and Men and Women, who are creatures of impulse, are poetical, and have about them an unchangeable attribute; the poet has none, no identity — he is certainly the most unpoetical of all God's Creatures.
Page 22 - The imperial ensign; which, full high advanced, Shone like a meteor streaming to the wind...
Page 22 - With orient colours waving: with them rose A forest huge of spears; and thronging helms Appeared, and serried shields in thick array Of depth immeasurable. Anon they move In perfect phalanx to the Dorian mood Of flutes and soft recorders...
Page 23 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 234 - It is a wretched thing to confess, but it is a very fact, that not one word I ever utter can be taken for granted as an opinion growing out of my identical nature. How can it, when I have no nature?
Page 280 - This morning I am in a sort of temper^ indolent and supremely careless; I long after a stanza or two of Thomson's " Castle of Indolence;" my passions are all asleep, from my having slumbered till nearly eleven, and weakened the animal fibre all over me, to a delightful sensation, about three degrees on this side of faintness. If I had teeth of pearl, and the breath of lilies, I should call it languor ; but, as I am, I must call it laziness.