The Potential Role of Art in Kierkegaard's Description of the Individual

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Edwin Mellen Press, Jan 1, 2004 - Art - 309 pages
Kierkegaard scholarship has generally focused on either existential or religious issues, interpreting Kierkegaard's understanding of the individual's relationship to itself and to the Christian God. As a result of his description of the stages of development of the individual in the process of that relationship, such scholarship has consistently ignored the inherent potential to articulate an aesthetic system which would describe art as a means of facilitating the development in a positive direction. This book offers the first thorough description of a Kierkegaardian aesthetic which does not demote art to a merely sensuous and negative influence; it is an explication of the specific feature of Kierkegaard's description of the individual (such as communication, repetition, and the self) within the context of a positive notion of art, as well as an analysis of art itself, the artist, and the fundamental value of art as a profitable means of influencing the individuals. While this book is unique for placing art into a central role within Kierkegaard scholarship, it also remains critical of such a role, maintaining the importance of recognizing the limitations which art has. The final

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Contents

The Necessary Grounds for
11
Chapter Two Contradiction and Dialectics Existence and Actuality
19
Chapter Three Object and Subject
29
Copyright

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About the author (2004)

Scott Koterbay is an Associate Professor at East Tennessee State University, where he teaches in both the Department of Art and Design and the Department of Philosophy.

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