The PrintAnsel Adams (1902-1984) produced some of the 20th century's most iconic photographic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. The Print--the third volume in Adams' celebrated series of books on photographic techniques--has taught generations of photographers how to explore the artistic possibilities of printmaking. Examples of Adams' own work clarify the principles discussed. This classic handbook distills the knowledge gained through a lifetime in photography and remains as vital today as when it was first published. The Print takes you step-by-step--from designing and furnishing a darkroom to mounting and displaying your photographs, from making your first print to mastering advanced techniques, such as developer modifications, toning and bleaching, and burning and dodging. Filled with indispensable darkroom techniques and tips, this amply illustrated guide shows how printmaking--the culmination of photography's creative process--can be used expressively to enhance an image. "Adams is a clear-thinking writer whose concepts cannot but help the serious photographer." - New York Times "A master-class kind of guide from an undisputed master." - Publishers Weekly Over 1 million copies sold. Publisher's Note: This ebook of The Print works best as a digital companion to the print edition. The ebook was produced by electronically scanning and digitizing a print edition, and as a result, your reading device may display images with halftone or moiré patterns. |
Contents
Darkroom Design and Equipment | 11 |
Printing Materials | 41 |
Control of Values | 89 |
Sensitometry | 129 |
Finishing Mounting Storage Display | 144 |
Special Printing Applications | 168 |
Common terms and phrases
acid agitation amidol archival ative benzotriazole burning-in Callier effect cause clean cold-light condenser contact printing contrast corner curves dark darkroom devel developed in Dektol developing agent diffusing dilution dodging and burning dry-mount press easel edge effect emulsion enlarging paper exposed exposure scale factor Figure film filter fixer fixing flat formula glass gray high values hydroquinone Hypo Clearing image color inches Kodak lamp lens light low values metol minutes mount negative carrier optimum overmat paper grade percent photograph Potassium bromide print color print surface print values procedure reduce reflection reproduction rinse safelight seconds Selectol-Soft selenium toning sensitometry shadow sheet silver sink slightly Sodium sulfite Sodium thiosulfate soft spotting stain stock solution stop bath subtle sure tacking temperature test print texture tissue toner tray trim tungsten usually view camera visual washer washing