The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo

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University Rochester Press, 2008 - Art - 212 pages
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The Rosary Cantoral is a rare and beautifully decorated manuscript of Latin plainchant for the Catholic Mass compiled in Toledo, Spain, around the year 1500. In an engaging and richly interdisciplinary essay, Lorenzo Candelaria approaches the Rosary Cantoral as a cultural artifact, unlocking the secrets behind its images and music to reveal the social history and rituals of an elite brotherhood dedicated to the rosary and aspects of the religious community it served: the Dominicans of San Pedro M rtir de Toledo. The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo presents a model for realizing the fuller significance of illuminated music manuscripts as cultural artifacts and offers unprecedented insights into the social and devotional life of Toledo, Spain, around the turn of the sixteenth century. After solving the mystery of the Rosary Cantoral's origins, subsequent essays probe the meaning and cultural significance of the manuscript's iconography (including a border decoration after Albrecht D rer), its rare Spanish chants for the Mass, and two striking musical works for multiple voices (one by Josquin Desprez and another on "L'homme arm "). Ultimately, this book focuses on the extraordinary circumstances that engendered the compilation of the Rosary Cantoral around 1500: a system of patronage between a brotherhood of suspected heretics and a religious house that was a key supporter of the Inquisition in Toledo. Lorenzo Candelaria (University of Texas at Austin) is co-author of American Music: A Panorama./
 

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Contents

The Mystery of the Rosary Cantoral
6
San Pedro Martir de Toledo
22
A Legend of the Rosary
39
The Emblem of the Five Wounds
58
Hercules and Albrecht Durers Das Meerwunder
79
The Music
94
The Confraternity of Toledo and Its Patronage
116
Epilogue 128
128
Notes
149
Bibliography
191
Index
207
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