The Routledge Companion to New Cinema History
Daniel Biltereyst, Richard Maltby, Philippe Meers
Routledge, Feb 5, 2019 - Social Science - 434 pages
The Routledge Companion to New Cinema History presents the most recent approaches and methods in the study of the social experience of cinema, from its origins in vaudeville and traveling exhibitions to the multiplexes of today.
Exploring its history from the perspective of the cinemagoer, the study of new cinema history examines the circulation and consumption of cinema, the political and legal structures that underpinned its activities, the place that it occupied in the lives of its audiences and the traces that it left in their memories. Using a broad range of methods from the statistical analyses of box office economics to ethnography, oral history, and memory studies, this approach has brought about an undisputable change in how we study cinema, and the questions we ask about its history. This companion examines the place, space, and practices of film exhibition and programming; the questions of gender and ethnicity within the cinematic experience; and the ways in which audiences gave meaning to cinemagoing practices, specific films, stars, and venues, and its operation as a site of social and cultural exchange from Detroit and Laredo to Bandung and Chennai. Contributors demonstrate how the digitization of source materials and the use of digital research tools have enabled them to map previously unexplored aspects of cinema’s business and social history and undertake comparative analysis of the diversity of the social experience of cinema across regional, national, and continental boundaries.
With contributions from leading scholars in the field, The Routledge Companion to New Cinema History enlarges and refines our understanding of cinema’s place in the social history of the twentieth century.
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gender geography and the peoples history of cinema
Three moments of cinema exhibition
transport electricity and early film exhibition in colonial
Remembering the first movie theaters and early cinema exhibition in Quay
Programming popularity and film
Distribution and exhibition in Warner Bros Philadelphia Theatres 19351936
seriality cyclicality and the new cinema history
reflections on new cinema history
unpacking the Brinton
retrospect and prospect
The high stakes conflict between the Motion Picture Export Association
the rise and fall of United Artists revolutionary
rethinking film success
specifics of film exhibition beyond commercial
When the history of moviegoing is a history of movie watching then what
the age distribution of films
towards a historical phenomenology