The Semantic Turn: A New Foundation for Design

Front Cover
CRC Press, Dec 21, 2005 - Technology & Engineering - 368 pages
3 Reviews
Responding to cultural demands for meaning, user-friendliness, and fun as well as the opportunities of the emerging information society, The Semantic Turn boldly outlines a new science for design that gives designers previously unavailable grounds on which to state their claims and validate their designs. It sets the stage by reviewing the history of semantic concerns in design, presenting their philosophical roots, examining the new social and technological challenges that professional designers are facing, and offering distinctions among contemporary artifacts that challenge designers.

Written by Klaus Krippendorff, recognized designer and distinguished scholar of communication and language use, the book builds an epistemological bridge between language/communication theory and human-centered conceptions of contemporary artifacts. Clarifying how the semantic turn goes beyond product semantics and differs from other approaches to meaning, Krippendorff develops four new theories of how artifacts make sense and presents a series of meaning-sensitive design methods, illustrated by examples, and evaluative techniques that radically depart from the functionalist and technology-centered tradition in design.

An indispensable guide for the future of the design profession, this book outlines not only a science for design that encourages asking and answering new kinds of questions, it also provides concepts and a vocabulary that enables designers to better partner with the more traditional disciplines of engineering, ergonomics, ecology, cognitive science, information technology, management, and marketing.

 

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User Review  - jonas.lowgren - LibraryThing

Krippendorff argues for a human-centered view on design, where the core notion is meaning as created in use. He outlines a historical progression in the traditional design disciplines from product ... Read full review

Contents

1 History and Aim
1
2 Basic Concepts of Humancentered Design
36
3 Meaning of Artifacts in Use
71
4 Meaning of Artifacts in Language
138
5 Meaning in the Lives of Artifacts
166
6 Meaning in an Ecology of Artifacts
180
7 Design Methods Research and a Science for Design
192
8 Distantiations
253
9 Roots in the Ulm School of Design?
274
References
300
Credits
310
Index
312
About the Author
334
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