The Sensory World of Italian Renaissance Art

Front Cover
Reaktion Books, Jun 15, 2010 - Art - 248 pages

During the Renaissance, new ideas progressed alongside new ways of communicating them, and nowhere is this more visible than in the art of this period. In The Sensory World of Italian Renaissance Art, François Quiviger explores the ways in which the senses began to take on a new significance in the art of the sixteenth century. The book discusses the presence and function of sensation in Renaissance ideas and practices, investigating their link to mental imagery—namely, how Renaissance artists made touch, sound, and scent palpable to the minds of their audience. Quiviger points to the shifts in ideas and theories of representation, which were evolving throughout the sixteenth century, and explains how this shaped early modern notions of art, spectatorship, and artistic creation.

Featuring many beautiful images by artists such as Dürer, Leonardo da Vinci, Titian, Pontormo, Michelangelo, and Brueghel, The Sensory World of Renaissance Art presents a comprehensive study of Renaissance theories of art in the context of the actual works they influenced. Beautifully illustrated and extensively researched, it will appeal to students and scholars of art history.

 

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User Review  - DanielSTJ - www.librarything.com

An interesting companion to Italian Renaissance art. Quiviger dives into the senses, modes of creation, and historical depth to write about his conceptualizations of what makes Italian Renaissance art ... Read full review

Contents

Introduction
7
Sensation in Renaissance Mental Imagery
13
Sensation in Representation
97
Conclusion
166
References
171

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About the author (2010)

François Quiviger is a librarian at the Warburg Institute, London. He is the author of several books including Imagining and Composing Stories in the Renaissance and Seeing and Looking in the Renaissance.

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